Faux Bois: False Wood

by Genevieve on February 1, 2012

Post image for Faux Bois: False Wood

I admit it: I love Martha Stewart. She drives me crazy, but her involved-yet-ever-so-elegant craft projects? Her table centerpieces? And her recipes which cause me to swoon (when reading) and curse (when preparing – I mean, who wants to spend six hours on a cupcake recipe?). She’s the queen of aspirational living.

So when Martha started showing off her latest obsession, faux bois (“false wood”, or wood-looking items made of concrete), I was hooked. I love wood grain! (I’m a landscaper, it’s in the rules.) I’m thrilled to see it as a pattern for home décor, but even more excited to examine how it can be used in landscaping. (Faux bois above by Donald Tucker)

We’ve all seen normal stamped concrete patios. But what about a faux bois concrete patio (from The Lil House That Could)?

from The Lil House That Could

These rustic bird baths (from Carlos Cortes and Rituals Décor) have ridges and rough surfaces that birds can grip with their feet, making them useful to wildlife as well as decorative:

carlos cortes2 from Rituals decor

And there are faux bois planters (from Deb Silver):

Deb Silver

I should probably make a distinction here between things that have a wood grain pattern and faux bois as an art. You can certainly describe the patio at top as being faux bois, but it was created using concrete stamps that resemble wood boards. You can also create a wood-grain finish by board-forming your concrete, like this (from Concrete Network):

board-formed concrete photo from Concrete Network

But faux bois as an art form is more akin to sculpture, taking days of non-stop work to get just the right appearance and finish (all work below by Donald Tucker).

From Donald Tucker foux bois by Donald Tucker3
foux bois by Donald Tucker foux bois by Donald Tucker2

It’s not all that common, because few artisans know how to do the techniques, and it’s so labor-intensive that you’d need to reach a very appreciative market in order to make it a worthwhile endeavor. Yet these sculptures can last for generations – artist Donald Tucker estimates fifty thousand years if properly created.

If you’d like to try doing it yourself, I found this tutorial online by Ken Druse. Or, if you really want to learn the techniques properly, Donald Tucker offers five-day seminars on the technique. These flickr photosets give you an idea of what’s involved in a big project: part one and part two.

There’s also a coffee table book, Capturing Nature, about artist Carlos Cortes’ great uncle Dionicio Rodriguez, who is widely recognized as a master at the craft.

I love how the faux bois theme mixes natural with manmade, and I think it would make a unique touch in a rustic or woodland garden.

What do you think? Do you like the look of it, or should we stick with wood for a wood-like look?

{ 19 comments… read them below or add one }

carolyn mullet February 1, 2012 at 6:31 am

Like so many things, craftsmanship and a good eye for detail make all the difference. I like Donald Tucker’s work a lot but that patio? Not so much.

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Genevieve February 1, 2012 at 6:55 pm

It’s interesting how tastes vary. I actually quite dig the patio, because I detect a sense of irony and fun there. If I suspected the contractor was approaching it with no humor, I’d like it a lot less.

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Phil (Smiling Gardener) February 1, 2012 at 3:08 pm

Not a big fan of concrete in general, but I guess if you live in a wet climate, longer-lasting hardscaping starts to look pretty desirable…

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Genevieve February 1, 2012 at 6:54 pm

Yeah, I’m a fan of using hardscaping in small quantities so that it feels in scale with the surroundings. I’m glad there are new permeable types of concrete, which helps make it more eco!

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itchbay February 1, 2012 at 6:28 pm

Oh, I love it! I’ve seen faux bois patio furniture, and “siding.” I love it, but never really thought about it as something I could have in my garden.

I especially love the birdbaths! So much nicer than the plain concrete versions.

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Genevieve February 1, 2012 at 6:53 pm

Me, too! They seem so gnarled and full of character.

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Kylee from Our Little Acre February 2, 2012 at 9:16 am

I like most of what you show here, but don’t like the patio that well. Brick is still my favorite for patios. Perhaps it looks better from a distance or in context rather than judging it by the macro view.

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Vinko Rezbarstvo February 2, 2012 at 1:36 pm

Thanks for sharing the story about faux bois!
I like the Donald Tucker creations and the bird baths.

However, as a woodcarver I more appreciate wood (i.e. woodcarving works and chainsaw carving sculptures) over concrete.

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Christina Salwitz February 2, 2012 at 6:44 pm

BRILLIANT idea for a blog post!!

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The Eclectic Gardener February 5, 2012 at 11:22 am

I agree that wood is more “natural” but unless you’re re-purposing the wood or have a dependable replacement supply, the concrete will endure and may be more “sustainable. The concrete that has been colored and weathered to look more like wood is definately place-able in the landscape.

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Erin @ The Impatient Gardener February 7, 2012 at 2:40 pm

I love faux bois, but only when done well, such as in your examples. I can’t stand plastic stuff stamped to look like wood, but that’s really an entirely different thing than what you’re talking about. I think its ingenious to use it in a landscape when you might WANT to use wood but can’t because it won’t hold up. Love it. But I probably won’t be making my own anytime soon. After all, we have to leave SOME things to Martha, right?

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Donald Tucker February 13, 2012 at 4:44 pm

First off, thank you for the kind words and for sharing my work. I just wanted to make a brief point regarding ferrocement Faux Bois. The whole idea is to celebrate a very brief moment in nature. Everyone seems to love the look of gnarly old, weathered wood, but that moment of it’s existence is fleeting and it soon succumbs to decay. Sculpted cement can capture and hold that delicate moment in time for many generations. Some sculpt & erect statues of great people to hold their short lived glory in time. I humbly try my best to do the same for what is to me, one nature’s of most intriguing and glorious creations.

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Genevieve February 13, 2012 at 8:16 pm

Donald, thank you so much for stopping by and sharing your perspective. I love what you’ve said about capturing a moment in time that would otherwise decay away. Beautifully put.

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gregory canon July 16, 2012 at 9:05 pm

Mister Rodriguez was not related at all to mister cortes, is just a necessary myth for $ purposes. sorry.

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Genevieve July 17, 2012 at 8:54 am

Really? Can you tell us more, Gregory?

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Terry Eagan April 28, 2013 at 12:14 pm

Maximo Cortez was father to Carlos Cortez and worked alongside his uncle Dionicio Rodriguez for decades. This makes Carlos the grandnephew of his great-uncle.

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Terry Eagan April 28, 2013 at 12:22 pm

Spelling Corrections:

Maximo Cortés was father to Carlos Cortés and worked alongside his uncle Dionicio Rodriguez for decades. This makes Carlos the grandnephew of his great-uncle.

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gregory November 8, 2013 at 4:52 pm

I read the book about dionicio throughly, he came from toluca mexico, while mister cortes was originaly from monterey, they meet each other at laredo and agreed to work togheter in san antonio texas, (this doesn’t make him an uncle just because of that, also not a third generation artist as some “people claim”) and it clearly says dionicio died leaving no decendant, there is no record of marriage from Dionicio Rodriguez married to anybody in the city of san antonio records, up to the date Nobody visits his tomb or leave flower. Read the book ajd use common sense.

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Terry Eagan April 28, 2013 at 12:02 pm

I have been restoring a collection that consists of 100 “trees” forming an arbor at The Huntington Library, Art Collections and Botanical Gardens in San Marino, CA since March, 2010. I enjoy sharing the history of the craft with visitors as they stop to watch me work. The craft is given a French name for a very good reason….it originated in France! In fact, the first reinforced concrete bridge (concrete reinforced with iron or steel) was made to resemble logs and timbers as it crosses a moat to a stone chateau in 1875 by a garden designer, Joseph Monier. He obtained his first patent for what he called “cement arme” (translated to ferro-cement) in 1867 by creating large pots to be able to move fruit trees inside for the winter.

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